I’m Adamrush Chapman, and I’ve been editing films and TV for over 25 years. But for me, editing isn’t just about putting scenes together—it’s about finding the pulse of the story and shaping it into something that sticks with you long after the credits roll.

There’s a certain magic in taking raw footage, looking at it, and realizing the potential to turn it into something meaningful. Whether it’s a heart-racing action sequence or a quiet, intimate moment, I love figuring out how to make every frame resonate.

My work has taken me all over the world, from the beaches of Hawaii to the bustling streets of Vietnam and the studios of Los Angeles. Each place has its own way of telling stories, and I’ve been able to draw from those experiences to add a global flavor to my projects.

I think that’s what makes my approach unique—I don’t just edit for one audience, I craft stories that can speak to people from all walks of life. It’s about finding that universal connection, no matter the genre or style.

What really drives me, though, is the collaboration. Editing isn’t a solo journey—it’s about working closely with directors, producers, and writers to bring their vision to life.

I’m not just an editor who cuts scenes and calls it a day; I’m deeply invested in the story we’re telling. I like to think of myself as a creative partner who’s right there in the trenches, brainstorming, problem-solving, and finding ways to make the project even better than imagined.

I’m always looking for ways to push boundaries, using the latest tools and techniques to make each project feel fresh and innovative. But at the core of it all, it’s about telling stories that matter—stories that make you feel something.

That’s what I love most about what I do: knowing that the work we create has the power to leave a lasting impact on people.